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The Routledge Companion to Sounding Art From Routledge
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- Sales Rank: #1165165 in Books
- Published on: 2016-08-09
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x 7.00" w x 1.25" l, .0 pounds
- Binding: Hardcover
- 502 pages
Review
"This is a wonderfully compiled and innovative volume, drawing upon a stellar range of contributors to break necessary new ground in sounding art. By listening outward and not just inward, the authors explore the ways sound is woven into our daily practices, from the video games we play to a simple walk through the city. This volume speaks not just to sound practitioners but to anyone with an inquisitiveness as to the role the sonic plays in our lives."
―Michael Bull, Professor of Sound Studies, University of Sussex
"What is sound? Or the relationship between sound art and music? How does sound shape space and organize bodies? This valuable and wide-ranging compendium of essays by artists, composers, musicologists, philosophers, historians, and sound designers addresses all of these questions and more, examining the aesthetic, communicative, ethical, social, and political circulation of sound in our world. The Routledge Companion to Sounding Art richly contributes to the growing field of ‘sound studies’ and vastly expands its purview."
―Christoph Cox, Professor of Philosophy, Hampshire College
"This is the book I’ve been waiting for, the book that breaks up the old-fashioned discussion of the differences and values of art, sound, music, and noise. Its international scope opens the mind to the vastness and importance of what we hear and how we listen, discovering new and surprising ways to become a conscious listener and sound thinker."
―Christina Kubisch, composer and sound artist
About the Author
Marcel Cobussen is Professor in Music Philosophy and Auditory Culture at Leiden University, the Netherlands, and the Orpheus Institute in Ghent, Belgium. He is co-founding editor of the open access online Journal of Sonic Studies.
Vincent Meelberg is Senior Lecturer and researcher in the Department of Cultural Studies at Radboud University Nijmegen, the Netherlands, and at the Academy for Creative and Performing Arts in Leiden and The Hague. He is co-founding editor of the Journal of Sonic Studies.
Barry Truax is a Professor Emeritus in the School of Communication at Simon Fraser University, where he taught courses in acoustic communication and electroacoustic composition, specializing in soundscape composition.
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